Of all my cruddy culinary habits, & I've got a lot of 'em, ordering sushi in is surely one of the worst. It flies in the face of the whole extraordinary tradition: of engagement with the itamae, of spontaneity—choosing items per his (occasionally her) suggestions of the moment—of revelation in their pristine state,** fresh from his cutting board to your mouth, even of the importance of tableware to the experience of the meal (which of course gets lost with takeout containers) . And since you can bet the best sushi bars—the ones whose masters would just as soon commit harikari with their own naifus as ever hear the words "California roll" again—don't deign to deliver, you can also bet that the ones that do amount to your friendly neighborhood joints, whose bread is buttered by customers who consider cream cheese a key ingredient in their deep-fried candied bacon-chipotle maki.
And yet. Precisely because these friendly neighborhood joints aim to please the friendly neighborhood Americans who frequent them in anticipation of the Japanese version of friendly neighborhood American food, they've come to specialize in just that. Since Japanese cuisine inheres in purity & elegant simplicity like no other, & because it was introduced to us much later than many other cuisines with less emphasis on precision—Italian & Mexican, say—the acceptance among serious eaters of the Japanese-American hybrid is coming slower than it has the Americanization of those other cuisines. But so long as we acknowledge & appreciate the difference between a sushiya that's dedicated to promoting & preserving its centuries-old craft in strict terms & a Japanese-American goof—just as we acknowledge & appreciate the difference between a trattoria vera & a red-sauce parlor—we can enjoy what each has to offer. I ain't about to pick a Lovesexy Psychedelic Groove Roll over needlefish sashimi at Sushi Sasa—& the reverse is true when it comes to a place like Fontana Sushi.
So it is that, giving in to my cravings for comfort food, & wanting to try something other than Go Fish (which I generally dig) & Hapa (which I generally don't), I called Fontana up a couple of times recently to see what was what. And while I wasn't wildly impressed overall, I was, at moments, intrigued & pleased, enough to be nice & categorize it under Eateries That Give Me Hope (next time I & it might not be so lucky).
The ebi asparagus roll—not a roll at all but skewered, teriyaki-glazed shrimp & asparagus cuts—wasn't one of those intriguing moments. Nothing wrong with it, really—in fact the sauce had a consistency evocative of homemade, which it damn well should be in a world devoid of cynicism, but mine isn't—but nothing to disabuse me of the opinion that teriyaki sauce just isn't one of Japan's more thrilling contributions to world cuisine, even used properly for grilled items. It's basically Japanese ketchup.
Far more interesting, however, was the Dancing Roll.
With shrimp tempura (the quality of which was admittedly hard to judge in such circumstances) on the inside & red clam over shredded kani mixed with some sort of sweet (not spicy, despite the menu description) soy-based sauce—maybe even that same teriyaki—on top, it was a bit like eating a kaleidoscope, a swirl of balancing flavors & textures. (Let's pretend we don't see that dark spot in the middle of the piece of shrimp or the sunlit spot indicative of loose rolling.)
Ditto the fried oyster roll topped with red snapper, tobiko, jalapeno & tiny dabs of "special sauce," making for a neat mix of sweet-delicate and salty-pungent.
But I have to admit to having serious questions as to whether the oysters came smoked from a tin. After all, since Fontana doesn't serve raw oysters in any form (note that raw oysters aren't often used for sushi, since, if Wikipedia is to be believed, they're thought to clash with sushi rice—although, hmm, Sonoda's offers them), it's hard to imagine that the owners—whose emphasis on thrift is evident in the fact that they serve $1 sushi all day, everyday—would invest in such an expensive product only to deep-fry it for the occasional customer who requests either of the 2 dishes incorporating it. So curious was I that I threw the other one, kaki fry, in with my next order.
All I can tell you—& I also admit I may be a victim of my own conviction here, as well as of my New England–based knowledge of what fresh fried oysters should taste like—is that they sure resembled smoked oysters, with the same strange chew, basically chicken-fried rather than in tempura. Surprising how hard it was to say for sure. Regardless, still hot & crisp when they arrived with a side of sweet chili dipping sauce, they were really some fun.
With shrimp, egg & avocado, the East roll (below right) did not benefit from the balance of flavors the others had, proving very bland. Why the scallop (top left) was napped with wasabi cream was beyond me, since no mention of sauce is made on the menu; why I received red clam (bottom left) when I'd ordered white tuna was also beyond me—not that I'd have minded if one piece hadn't been awfully tough (my teeth slid satisfyingly clean through the other).
The pickled daikon in the Sunshine Roll overpowered the mild salmon within, though not the tuna on top, & I'm a fan of oshinko as a vibrant (& traditional) maki ingredient in any case.
It remains to be seen whether the next round will further raise or dash or my silly hopes for good bad sushi. For a fascinating primer on the bogglingly arcane subject of sushi tradition, check out this Chowhound thread.
**Keeping in mind, of course, that pristineness is relative in the landlocked US of A.













